This blog was created as a venue for printmakers in Malaysia to come together and share ideas, information and facilities.
We also would like to create awareness, spread the love for printmaking!

Sunday, 21 April 2013

☆ Coming Soon ☆

Malaysia Master Printmaker: 
Mr. Loo Foh Sang, Solo Show 2013

Exhibition Period:
11~31 May, 2013

Opening Ceremony:
3 pm, 18 May 2013
(Refreshment will be served)

Opening Hours:
11am - 6pm, Tue - Sun (Monday Closed)

Venue:
Samadee Studio
6-1, Block 4, Jalan Jalil Jaya 4,
Jalil Link, Bukit Jalil, Kuala Lumpur.

Contact Us:
012-235-5661
samadeestudio@gmail.com
www.facebook.com/samadeestudio


FOR MORE ABOUT HIS BEAUTIFUL WORK :
https://www.facebook.com/LooFohSang?group_id=0

Tuesday, 19 March 2013

Chinese printmaker..Jiang Miao - Woodcuts

I came across this series of prints from Ode to Art, Singapore
http://www.facebook.com/media/set/?set=a.10151322906526924.1073741825.57329046923&type=1

It's a fresh look at the age-old - Woodcut technique!

This is what they have to say
ABOUT HER
Born in Jilin in 1981, Jiang Miao obtained a Bachelor's Degree in Fine Art from the prestigious Central Academy of Fine Arts in Beijing in 2005. She went on to major in woodblock printmaking and received a Master's Degree in Fine Art in 2009 from the same institution. Having attracted a considerable amount of attention from the artistic community in Beijing even before she graduated, Jiang held her highly successful and critically acclaimed first solo show at the Triumph Art Space in 2009. Her signature black and white prints have garnered attention for their uncanny depiction of the relationship between self and other. 

ABOUT HER WOODCUT
The woodblock is arguably the most ancient and time-honoured form of expression in East Asian printmaking. Distinctive for its sophisticated designs and ubiquitous application of flat colour, the woodblock has served as a great source of inspiration to many Western artists such as Whistler and Gauguin. 

Within China itself, the woodblock print movement initiated by the famous author Lu Xun gained popularity in the 1930s for its sociopolitical content. 
姜淼 女孩系列之9, GIRL SERIES NO. 9
90 X 90 CM, PAPER

Ode to Art is pleased to present the work of contemporary Chinese artist Jiang Miao. Jiang has introduced a fresh modern twist to this culturally important art form through her ethereal prints, which combine the abstract with the realistic.

女孩系列之46, GIRL SERIES NO. 9
90 X 90 CM, PAPER
萌发 THE FLOURISHING
WOODBLOCK / WOODCUT, 120 X 90 CM
Enjoy and be inspired!

One more -- I particularly like this

时间的缝隙 (THE SPACES BETWEEN TIME)
WOODBLOCK/WOODCUT, 120 X 120 CM:
Review (extract from Ode to Art, Singapore) : In The Spaces Between Time, Jiang displays her penchant for exploring the intersection between the figurative and the literal through the depiction of a human body somewhat concealed by diaphanous lines. The steadiness and fine quality of the white lines are testament to Jiang's impeccable craftsmanship. 

Using the visual metaphor of a single inchoate body suspended in the midst of numerous threads that symbolise the linear passage of time, Jiang communicates the idea that our existence is transient and somewhat obscured by the rapid changes that take place around us. 

Jiang's elegant approach to the human physique and the gentle application of shadow gives the print a sense of lightness that is not commonly found in other works of the same medium.

Saturday, 16 March 2013

Call for entries - International Print Center New York

From International Print Center New York  
Apply Online for IPCNY New Print 
Call for Entries – New Prints/New Narratives:  

                                         DEADLINE: April 15, 2013

On view from: 6/13/2013 – 8/2/2013
Exhibition Opening: June 13, 2013


nd educational programs.





For more information :  http://www.ipcny.org/apply/

All the best to those who are submitting their works!
Thanks, Kim Ng for the link :)



Sunday, 6 January 2013

Visit to Juhari Said's Akal di Ulu

We were eager to meet up with Juhari Said, one of Malaysia's dedicated printmaker. So much has he contributed to printmaking in Malaysia during his 2 decades of printmaking, always pushing to further the art. He's life and work is best summarised in Prof. A. Rahman Mohamed's essay.  Recently he has found a new direction as chronicled by Dr Tony Donalson.

Here's a photo essay of our visit :

Entrance to Juhari Said's studio 
Our mode of transport - Art Malaysia's Defender

Vanilla plants (background), lime plants (foreground) 

A passionate artist as he tells of his experiences


The poultry farm enclosure... We heard there was a python nearby..


Such cool ambiance!
 


 Juhari Said's studio

Juhari's woodcuts (background) with his newer passion for wood carving sculptures (foreground)

One for the album

Bye - bye!






Wednesday, 26 December 2012

Welcome Dinner in Macau

We managed to get back to the hotel in time to change, rest our feet and then stroll down to the Chinese Restaurant in the hotel. 

The organisers had arranged for all print artists to meet, mingle, catch-up, show each others unique print making!


Each artist brought an exhibition  catalogs of their work
Quite a good turn out! Many artists know each other by reputation but may not have met in person. So this dinner was a good opportunity to meet in person.

For example, Prof Rahman organised the PIPE 2010, a huge print exhibition in Penang some time ago. Today he met one of the print artists from India who corresponded with him and sent in an entry for PIPE 2010.









Sweet ladies.. making sure everything went on well!

Welcoming us!

Dinner is served... 13 courses!  (does not have the usual 'Four seasons' dish served as opening course in Malaysian Chinese Restaurants, -- something different). Food was delicate, light (meaning not too oily or sugary) but aplenty! We gave up after the 10th dish...  We suggested the waiter to pack and give to he staff or anyone who needs it.

The Peking Duck was interesting as we only got to each the crispy skin, before it was whisked away to make another dish.

 
The Singapore print artists
 

Guanlan Printmaking Centre, Shenzhen, China (in white)

Saturday, 1 December 2012

Day 2 - Macao Museum

16 Nov - Macau

Walking down the steep slope we climbed last night
Since we already knew how to go to Senado Square, the main shopping cum historical centre with the iconic ruins of St Paul’s over-looking the square, we ventured out confidentally. Some of our team have split, so our group was a bit smaller.  The weather was pleasantly cool and cold intermittently.   

So jealous, watching the seasoned shoppers going about in boots and sweaters.  But we managed either with a jacket or shawl. 

We have not seen the sun, since we arrived yesterday.  The skies would be what we, in Malaysia, call ‘mendung’ – cloudy with likeliness of rain.  However, we were luckily. No rain until the following day.
 


Along the way, we notice the subtle juxtaposing of old and new buildings. In fact the old historical buildings are better maintained than the modern ones..Haha..

Our self-arranged itinerary was to include Macau Art Museum (one end of Macau) & Anshun Batik & Tin Embroidery (on the other side). So, we decided on Museum of Macau, which was near to the ruins of St Paul's Church.

Ruins of St Paul's Church
A shop selling orignal works by Macau Designers (right next to the Ruins of St Paul's Church)


 The MACAO MUSEUM -
 It was a nondescript building set in the hill slope and so the sight of escalators delighted some of us. The has  a uniqueness about it as u can see in the photos.



 Entrance to the museum exhibits.. on the left side, artifacts from western world


 On the right side, is the Chinese world!



First printing press in Macao




Other exhibits showed the mix of architecture, Portuguese way of life, Christian artifacts, pottery, making of firecrackers, silk, astronomy, marriage certificates, etc.

The museum also had a garden called Fortress Garden on the upper level.



It gives a good view of the city landmarks like the very imposing Grand Lisboa Hotel & Casino (in gold colour).

Then headed down to the streets to look for lunch..  All restaurants were small, so difficult to get one that had 7 empty chairs. Finally got a corner restaurant, no frills restaurant. We called individual meals. Some had fish porridge, wantan-like mee, and i chose the quite unusual dish of ox-tongue stew. Very European food is a Chinese family restaurant.



Then we walked back to Senado Square, taking the scenic look...which meant that we got lost, even with maps in hand. Small roads were not listed in the map. That excursion tested us. But our group members were cool about it, everyone trying to help figure out the way. Finally after going one big circle, we landed back in Senado Square. What a way to see the city!

A bit short of time now. Welcome Dinner is to start at 7pm. At 3pm we were still looking for Casa Lou Kou, where the tourist brochure said Anshun Batik and Tin Embroidery demo & exhibition were to be held. Our navigation skills were put to the test again. Again we missed it as it was nestled between other buildings with no visible markings. Opposite it were many shops selling the same food - Beef Offal with additional steamboat stuff on satay sticks. The smell was to strong, we were looking right instead of left. Eventually after another round of walking & map reading, we got back to the 'beef offal' street,  This time we looked to our left and voila! It was right opposite the beef offal shops.

Another joke awaited us. As we entered it's like a old nyonya house, with carvings & decorations all in dark wood, we could find the exhibition. We asked the guard. She sheepishly pointed us towards a young man as she (and many others) cant speak English. Luckily the young man who is involved in setting up the exhibition could help us out. Where's the exhibition, I asked. TOMORO...was the answer!

Aiyah! I was paying attention to the ending date & forgot to check the starting date. Well, at least we know where it is... So, we said goodbye to them and hurried to find transport back to the hotel.
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